Edgar Degas
French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.
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Edgar Degas Opera-s dry running hall oil painting


Opera-s dry running hall
mk206 about 1872 Oil on canvas 32x46cm
Painting ID::  49899 		Edgar Degas
Opera-s dry running hall
mk206 about 1872 Oil on canvas 32x46cm
   
   
     
Edgar Degas Carriage on racehorse ground oil painting


Carriage on racehorse ground
mk206 1869 Oil on canvas 36.5x55.9cm
Painting ID::  49900 		Edgar Degas
Carriage on racehorse ground
mk206 1869 Oil on canvas 36.5x55.9cm
   
   
     
Edgar Degas Racehorse ground oil painting


Racehorse ground
mk206 1871 Oil on canva 30x40cm
Painting ID::  49901 		Edgar Degas
Racehorse ground
mk206 1871 Oil on canva 30x40cm
   
   
     
Edgar Degas improper beginning oil painting


improper beginning
mk206 1869-1871 Oil on board 32x40.3cm
Painting ID::  49902 		Edgar Degas
improper beginning
mk206 1869-1871 Oil on board 32x40.3cm
   
   
     
Edgar Degas The woman beside th vase oil painting


The woman beside th vase
mk206 1872 Oil on canvas 65x34cm
Painting ID::  49903 		Edgar Degas
The woman beside th vase
mk206 1872 Oil on canvas 65x34cm
   
   
     
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     Edgar Degas
     French Realist/Impressionist Painter and Sculptor, 1834-1917 French painter, draughtsman, printmaker, sculptor, pastellist, photographer and collector. He was a founder-member of the Impressionist group and the leader within it of the Realist tendency. He organized several of the group exhibitions, but after 1886 he showed his works very rarely and largely withdrew from the Parisian art world. As he was sufficiently wealthy, he was not constricted by the need to sell his work, and even his late pieces retain a vigour and a power to shock that is lacking in the contemporary productions of his Impressionist colleagues.

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